What's the use of being legible, when nothing inspires you to take notice of it? The basic principle with the screen foil is always the same. WW: I find it much easier with the advanced graphics course, where I teach students from all over the world. People see a stone they like, appropriate it and work it until there’s nothing left. It hasn’t produced a new visual language. When I went to the Merz Academy, no one thought of doing things systematically. I first learnt about a systematic approach from Armin Hofmann at Basle. Magazine cover, 1973. The craziest ideas come especially at night. But it was also positive in that it forced me to look for new ideas to keep one step ahead of the pack. Wolfgang Weingart. since the 1970s wolfgang weingart has exerted a decisive influence on the international development of typography. YSS: Or are linear pictures an emotive thing to you? Portrait Wolfgang Weingart, photographed by Melchior Imboden, 2001. In my opinion, it’s important to have people who make such ‘non-sense’ out of type. What about the computer, which you introduced into your typography course at Basle in January 1985? WW: Not any more. Copyright Â© 2020 More Famous Quotes. That’s why so many students come to Basle. For me, typography is a triangular relationship between design idea, typographic elements, and printing technique. quotes and sayings of Wolfgang Weingart: Anyone who uses Helvetica knows nothing about typefaces. They just process fragments. design, is a quarterly printed magazine about YSS: You’ve reached a turning point in your work. There aren’t many designers like me who take on all the technical aspects of a job themselves. This website is derived from an exhaustive research on the Typographische Monatsblätter (TM) focussing on the issues from 1960 till 1990. They contain nonsense, humour, animation, depression – everything that can and can’t be done in this funny, beautiful world. See more ideas about Wolfgang weingart, Typography, Graphic design. When I turned 18, in 1958, my parents pressured me to continue my education. At the time I introduced the Macintosh to Basle, for example, New Wave was already at its peak in the States. Here he discusses his educational roots, the current state of the art and the promise of his new program. Nor would that exhibition have taken the form that it did. YSS: For me the most surprising works at your recent exhibition were the sketchy, conceptual notes, not just because they encapsulate a spontaneous, artistic sensibility, but because they seem to give an insight into your inner world. This constant collecting of ideas, which are then set down in words and drawings, is an essential step towards further development. In my opinion, most designers don’t think or develop anything for themselves any more. Too busy to notice their needs. This means that it’s a pleasure, rather than a hard slog, to do analytical work with them. What’s reflected here is my activity, not my inner being. Dans son travail, Weingart démontre sa maîtrise des règles typographiques et leur signification. Eye 100 is on its way to subscribers. Dans son travail, Weingart démontre sa maîtrise des règles typographiques et leur signification. “Typography / [Wolfgang Weingart].”, p.89, Springer Science & Business Media. WW: For the most part, my hopes for the computer have not been fulfilled. My travels through the mysterious, endless expanse of the Syrian desert, and the Orient, for example, conjured up typographic images. It’s part of life. The problem with design today is that it often has little to do with content. And you have to be clear about why the basic exercises are so important, explaining to students that they will need to know how to equalise capital letters in the outside world, for example when they’re doing signage on a building. We went back to basics – to the elementary typographic problems which had been somewhat neglected – in an attempt to get away from the new, all-pervasive style. It’s good that other places don’t know how to deal properly with the computer because, on the whole, we do. People who haven’t mastered the conventional graphic techniques won’t be any better on a computer. See related links to what you are looking for.
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